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REVIEW: The Threepenny Opera
The always-vexing question of the ‘right’ way to do a playtext is particularly vexed when it comes to Brecht; to stage Brecht is almost invariably to fail Brecht.
Changing the Face of Australian Theatre
New Matilda, part 2.
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Michael Kantor's last season (just announced) looks strangely like a Best Of Malthouse 2005-2010 (subtitle: The Kantor Years), or a Tribute To... CD (Melbourne indie theatre does Malthouse OR Malthouse does Melbourne indie... you choose). And not just that, but a Christmas edition with two bonus tracks (Great International Name + the understudy makes an appearance).
Welcome to guerrilla semiotics
Just like, according to Debussy, music is the space between the notes, so is meaning the space between the signs. Here on Guerrilla Semiotics you will find notes and counter-notes on words, images, sounds and space, and what the mind makes of it all, regardless of whether it is theatre, dance, film, graphic novel, or a city that we are talking about.
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