The stage is theological for as long as its structure, following the entirety of tradition, comports the following elements: an author-creator who, absent and from afar, is armed with a text and keeps watch over, assembles, regulated the time or the meaning of representation, letting this latter represent him as concerns what is called the content of his thoughts, his intentions, his ideas. He lets representation represent him through representatives, directors or actors, enslaved interpreters who represent characters who, primarily through what they say, more or less directly represent the thought of the “creator”. Interpretive slaves who faithfully execute the providential designs of the “master”. -Derrida

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