Before I forget; the best dance piece I’ve seen all year, bar Sasha Waltz (still undecided), has been Xavier Le Roy’s performance Product of Circumstance, a one-night showing at Dancehouse last week. There is a write-up in The Age, but to call it a review would be absurd.
It is a description of sorts, and not an inaccurate one.
Xavier comes from that French tradition of very streamlined conceptual dance (Jerome Bel, Mathilde Monnier), rigorously following an idea and executing it with a scientific sort of measure, fidelity. It sometimes looks like this:
And when it works, it’s fabulous.