I will, in the years to come, try to establish a section along the lines of ‘Guerrilla Semiotics Presents…’, a kind of evil twin to 5th Wall‘s Critic Watch, with theatre writings notable & worth pointing out.
For now, though, they will remain ‘Bookmarks’, and here is another one. A very dear friend of mine, and a wonderful performer, Petar Sarjanović, on Montažstroj’s Timbuktu (based on Paul Auster), in two versions:
-original: Dresura pobune, pobuna dresure
-and English: The training of rebellion, the rebellion of training