Shechter’s choreographies are distinctly masculine: angry and political, they are socially and emotionally situated in the contemporary world. With hard and heavy bodies and momentous shifts of weight, they carry echoes of Ohad Naharin’s Batsheva – the company for which he formerly danced – but are more overtly narrative and theatrical. Also a percussionist, Shechter’s self-composed scores strongly shape these pieces with their relentless rhythmic pulse and propulsion.
Australian audiences have been able to follow Shechter’s work closely – while the choreographer is based in the UK, he has made frequent visits to Australian festivals, from early short works Uprising and In Your Rooms, to his 2011 work Political Mother. That show suggested Shechter was still struggling with the transition to long form, and that issue remains apparent in Sun.
This review was published in Guardian Australia on 13 October 2013. Read the whole review here.