Audio Stage, ep.3: Angela Conquet


In the third episode, Fleur and I spoke to Angela Conquet, the artistic director of Melbourne’s Dancehouse, one of the most important institutions for contemporary dance in Australia.

I think this was our favourite episode so far: Angela speaks so intelligently and articulately about what makes Australian dance Australian, how easily dance is lost, how much effort it takes to keep it alive in memory, and what it says about a country not to recognise the urgency to remember its vanishing present.

“I think it’s the approach to space that really makes [dancers and choreographers] Australian. We have this joke in Europe: ‘Australian dancers are such space-eaters’. … With certain artists, I think it’s fascinating, you can tell from a mile away that they have an approach to space that’s completely different to what you see in Europe.”
– Angela Conquet

Discussed in this episode:
Russell Dumas, how much space Australian pedestrians take, reinventing hot water, RoseLee Goldberg not getting Australian dance, what it means to have or not have a revolution, Merce Cunningham, the historical importance of being seen at Avignon, and much else.

New episodes will be released every 2 weeks, and we have made quite an effort to make them as accessible as possible, on a variety of platforms. Stay tuned and enjoy!

Listen to the episode on the website or here:

You can subscribe to Audio Stage in iTunes or Player FM, or listen on the official website.

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