And today, Angela, Beth, and I talk with Deborah Jowitt, the seminal dance critic. To say she is everyone’s idol is an enormous understatement: Deborah has taught me not only how to write about dance, but how to look at dance, and how to see dance. The conversation was held during the weeks of Keir Choreographic Award, which gave us a rare opportunity to discuss Australian contemporary dance with someone who really knows a lot – and to talk about what value has been created, and continue to be created, by dance criticism.
As often happens with Audio Stage, it was a very emotional experience. Please have a listen, enjoy, and share.
If somebody says it’s a dance, it’s a dance and we’ll deal with it.
Discussed in this episode:
it’s not ‘the body’, but ‘the dancers’; the 1960s revolution against elitism; incorporating the building janitor into a choreography; pilates; Keir Choreographic Awards, and where is the dancing in contemporary dancing?; ideas that cannot be physically fleshed out – what fuels it in Australia?; the overuse of the word ‘ephemeral’; how to legitimise a new form; Judson Dance Theater; how criticism creates desire; and that not being a good artist doesn’t mean you’re not a good person.
Listen to the episode: