About Guerrilla Semiotics
This is the personal blog of Jana Perkovic, and it features my articles on theatre and performance, some of my more salient research and urban design work, and some entirely personal notes. The views expressed here are my own, and not those of my employers. Please ask if you need clarification.
Guerrilla Semiotics (existing on the web, as Mono no aware, since 2002) came about as a place to air all my serious and frivolous thoughts on contemporary performance, graphic novellism, travel and travel writing, urban design, creative mapping, and any other meeting point between language, images, and thought. While I am in Melbourne, Australia, this blog focuses on local events by necessity. But, more broadly, GS is a place for me to think about the convergence of words and imagery, mind and space.
About Jana Perkovic
Born in 1984 in Rijeka, Croatia. Resident of Melbourne, Australia since 2005. Dual citizenship as of 2011.
Collected here are mostly my writings on contemporary performance, dance and theatre. I have been writing such things, publishing in different Australian media outlets, since 2008. I am a member of the Green Room Awards, judging for the Hybrid & Alternative Performance panel, which makes me see a lot of live art and in-between form. I co-edit and co-manage Spark Online with Carl Nilsson-Polias. I am a collaborator on the Arts Alive radio program, and a contributor to the Croatian program on SBS Radio.
I am also regularly working at the Melbourne School of Design as a researcher and tutor in the fields of urban geography, design and planning. My main areas of specialisation, shall we say, are transport planning, GIS and cartography, urban policy and creative communities, and what is often (very facilely) called ‘place-making': the right size, scale and grain of things. I have a personal interest in Japanese and Mediterranean urban structures, and in terrains vagues.
I am currently studying in the Master of Urban Design course at Melbourne School of Design, which is taking a great deal more of my time than I had anticipated, and has been side-tracking me from theatre more than I wish.
You can contact me on relatively [at] gmail [dot] com.