Andrew Haydon’s last post, on what may be Nicholas Hytner’s ultimate right-wing play, has made me think about the kinds of experience one can viably have in the theatre (or outside the theatre, geographically speaking, but in a performance). This because Haydon’s post is concerned, on the outer edges, with the dangers of enjoying a [...]
People who don’t go to the theatre often wonder why theatre enthusiasts are, well, such enthusiasts. The answer lies in the rarely achieved bliss of the curtain call: the actors on stage, the audience in commotion, the physical and emotional synchronicity of the long applause. It is one in a hundred, but that’s the magic [...]
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