The news has just hit my inbox: Dancehouse is presenting a choreography by Deborah Hay (whose If I Sing For You was shown, with great popular success, at MIAF 2008). I am terribly busy, so I will reproduce the press release down below:
DANCEHOUSE in partnership with Critical Path, STRUT dance and Bundanon Trust [...]
Michael Kantor’s last season (just announced) looks strangely like a Best Of Malthouse 2005-2010 (subtitle: The Kantor Years), or a Tribute To… CD (Melbourne indie theatre does Malthouse OR Malthouse does Melbourne indie… you choose). And not just that, but a Christmas edition with two bonus tracks (Great International Name + the understudy makes an appearance).
Perhaps the most unfortunate thing to say about Michael Kantor is that he seems to be capable of only a very narrow expressive range. Most of his work sticks to the same stew of camp singing, heavily applied Satire, sprinkled with poignancy until we all feel five years old. Too many of his works have looked like an educational poster: this is your ‘FUN’, this is your ‘SOCIAL RELEVANCE’, and this is your ‘MORAL’. Unfortunately, the dramatic mechanics of Elizabeth cannot withstand such treatment.
I’ve just braved acute asthmatic bronchitis (not my words) to get myself down to ACMI and back, and see the first part of Melbourne CTEQ’s 3-week Chris Marker mini-fest live. It has nothing to do with theatre whatsoever. In fact, his films are so essentially films, so deeply untheatrical, that I can recommend them on [...]
Via B92, I’ve just found out that Dalija Aćin will premiere her new work at ImPulsTanz later this month. This is wonderful news (thought I’d mention).
Dalija won the Prix Jardin d’Europe, awarded by emerging critics to emerging choreographers, at ImPulsTanz last year, for her work
More than one person around me recently has been loudly annoyed that Michael Jackson’s death is a Bigger Deal than that of Pina Bausch. Sure, MJ is a pop idol, an icon, an image. But Pina Bausch has re-taught us how to look at the body: as far as 20th-century art goes, Bausch is as [...]
I do need to apologise for neglecting this blog. I have, truth be told, going to the theatre very, very little (once a week, twice a week, sometimes even not at all). I was finishing my big work project, and hoping to get a bit of holidays between semesters (I am graduating in November). But [...]
Writes Dmitry Vilensky on the global arts newswire:
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On May 15, the young contemporary artist Artem Loskutov was arrested
in his native Novisibirsk and charged with possession of a narcotic
substance (marijuana) by the local branch of the Interior Ministry’s
notorious Center for Extremism Prevention (Center “E”). Loskutov and
his supporters claim that the police planted the marijuana in his [...]
“As was the factory, so now is the university. Where once the factory was a paradigmatic site of struggle between workers and capitalists, so now the university is a key space of conflict, where the ownership of knowledge, the reproduction of the labour force, and the creation of social and cultural stratifications are all at stake.”
I have been in spillover for weeks now. That means: at the end of every day, a little bit of unfinished work spills over into the morning. The accumulating backlog, or just ballast of duties, is, with the end of semester edging closer, just about to become unmanageable. I am toiling on three intellectual (but [...]
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