overviews
Malthouse season 2
Michael Kantor’s last season (just announced) looks strangely like a Best Of Malthouse 2005-2010 (subtitle: The Kantor Years), or a Tribute To… CD (Melbourne indie theatre does Malthouse OR Malthouse does Melbourne indie… you choose). And not just that, but a Christmas edition with two bonus tracks (Great International Name + the understudy makes an appearance).
2008
Despite all my intentions to retire early, the dance season procrastinated, and it's only today that I am closing my year. It was an eventful one, and I am vaguely looking forward to a month of being a gentleman farmer: cooking, reading, watching films, and undertaking urban expeditions. Or something like that.
2008 was mostly a [...]
Malthouse Season One 09
The Malthouse Theatre launched its first season of 2009 last night, with some bagpipes and smoke, but overall less frill than I am normally accustomed to, fewer musical numbers, shorter speeches, all much more business and much more enjoyable than usual. Perhaps they just wanted to hurry up and present their baby? I would understand. [...]
On accents and other forms of realism: a mini essay.
1. A few weeks ago, my review of Hoy Polloy’s production of Fin Kennedy’s How to Disappear Completely and Never Be Found appeared on vibewire.net:
“Two of the things ostensibly most cherished in a work of art are battling throughout the Hoy Polloy's production of Fin Kennedy's How to Disappear Completely and Never Be Found. On [...]
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