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literature

This category contains 27 posts

Pure pulp adventure spirit

There’s a reason people find themselves compulsively hooked on “House,” and it’s little surprise you can build an entire empire on the kicks afforded by a “CSI.” Both have their origins in Sherlock Holmes and his ongoing adventures with his trusted friend, Dr. John Watson. These two characters have been played on film more [...]

Adventures in Pornography

I gave a presentation on pornography today, and it made me realise, really and fully, that tertiary education probably comes five years too early to most people, and how very few artists and critics we have that are not too young for the job.

The Insularity of English

“At a time when everyone is asking why English-language fiction has stalled, why fewer readers buy novels, part of the answer must lie in the decline of translation. Alert readers of Spanish, French, German, Italian and Portuguese, among other languages, participate in an international aesthetic conversation; readers and writers of English, condemned to silence by [...]

STC: Elling & Belvoir: Lady Macbeth of Mtsensk

I am about to burn all my bridges and praise theatre I have never praised before. But we all grow older and up. Two shows currently playing in Sydney are exemplary for what Sydney likes to do: straight plays, if not television. Things that, we smirk from Melbourne, are not quite theatre.
Indeed, both are adaptations [...]

The Monthly strikes again

The locals will know, the un-Australians won’t: after a public and very unflatteringly-viewed sacking of their finest editor to date, because she dared work independently of her board, The Monthly, Australia’s only candidate for an art&politics magazine, has just appointed a new editor. He is 23 years old.
The public discussion has gone two ways: the [...]

Seven Jewish Children (1?)

Melbourne has had its reading of Seven Jewish Children, its donation bucket and panel afterwards, and yet I am a little surprised that no follow-up discussion has appeared, not even among the bloggers. I imagine it has something to do with the supreme lack of time we all seem to profess at the moment. I [...]

Jamaica Kincaid on travellers

The thing you have always suspected about yourself the minute you become a tourist is true: A tourist is an ugly human being. You are not an ugly person all the time; you are not an ugly person ordinarily; you are not an ugly person day to day. From day to day, you are a nice person.

Contemplating Hell

Contemplating Hell, by Bertolt Brecht.

RW: Peer Gynt

A sprawling dramatic poem, Peer Gynt careens freely between social verisimilitude and outrageous flights of fancy. In its psychological externalization, each troll is a momentarily irresistible girl, each nightmare a folktale monster. It was not intended for performance, and Ibsen joyously did away with reasonable staging demands: spanning 50 years, two continents, an obscene number of characters, changes of tone, pace and fabular focus, it is as unstageable as a play gets. But it was Heiner Muller who said that only dramatic writing that cannot be realised on stage is of any use for the theatre.

In other people’s words

Confronted with a world configured by the colonizer, the colonized subject is always presumed guilty.