Tag Archives: audio stage

Audio Stage, s.3.1, ep.1: Andrew Haydon

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This week, Jana speaks with independent theatre critic, Andrew Haydon, about audiences, histories and European vs English theatre.

Andrew is one of the few British theatre critics who regularly travels around Europe to see new work, and who is conversant in contemporary European theatre (and not just what happens on the British Isles), approaching it with a distinctly British, but never parochial, perspective. In his writing for The Guardian, Time Out, Exeunt Magazine, and in his respected blog Postcards from the Gods, Andrew has long championed unusual work, difficult work, and has often argued that the British theatre is unnecessarily conservative in terms of form and interest.

“I always wonder what it would be like to get a hardcore German theatre theoretician in to watch a load of the really hardcore naturalistic productions that still exist in Britain but just tell them “it’s all a concept” and they are not allowed to go “oh, you’re just being British”. They have to believe that it’s a metaphor. How that would read? I’m sure there’s actually some really creative thinking if we didn’t all just go “urgh! It just looks like a room. It’s meant to look like that.” If we actually thought about it more creatively. There’s probably better ways we could understand what’s going on. There is craft in the way these things are put together, obviously. But craft and possibly not philosophy.”
– Andrew Haydon

Discussed in this episode:
‘Live art’ and its global history, stage metaphor, the white male default, new writing and authorship, national identity, what defines a ‘national theatre history’, the demographics of theatre goers, the importance of arts writing, the fallibility of the critic and can theatre ever just be bad?

Listen to the episode:

You can subscribe to Audio Stage in iTunes or Player FM, or listen on the official website.

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Audio Stage, s.2, ep.5: Esther Anatolitis & Angharad Wynne-Jones

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In our momentous final, fifth episode on responsibility, Fleur and Jana spoke with two great women of the Australian performing arts: all-round cultural leaders Angharad Wynne-Jones, Artistic Director of Arts House Melbourne, and Esther Anatolitis, Director of Regional Arts Victoria (formerly CEO of Melbourne Fringe). In an emotional ending to the series, we touch on some important, often neglected questions: how do we create an ecology that supports the artist, as well as the arts?”

“Risk is not so risky. It’s a necessity. It is how forms develop, how we find new audiences, new artists, how cultural conversations happen.”
– Angharad Wynne-Jones

This is a very special episode. Angharad and Esther spoke with an authenticity and feeling that is rare in public discourse. We felt very privileged to have them with us, and we all left in tears.

Discussed in this episode:
George Brandis, being a person with a ‘decision-making potential and capacity to be confused’, the future, ‘creating new artistic frameworks for established arts companies’ and what that could possibly mean, the difference between advocacy and lobbying, audiences, the importance of having rigorous conversations about art, being accountable to the rate-payers of the City of Melbourne, bushfires, Kat Muscat, burn-out, and what is cultural leadership anyway?!

Listen to the episode:

You can subscribe to Audio Stage in iTunes or Player FM, or listen on the official website.

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Audio Stage, s.2, ep.4: Jolyon James & Sonya Suares

This week, Fleur speaks with Sonya Suares and Jolyon James on how the concept of responsibility relates to the actor: the responsibility of the actor, of the director to the actor, diversity in casting and the potential impact of not providing a multiplicity of stories and voices for our stages, and the responsibilities of creating work for children.

“There’s a consciousness that needs to be put around the way that we behave. We can’t just keep patting ourselves on the back or excusing it: ‘We’re creating art! It’s not real!’ It is also really happening to somebody.”
– Sonya Suares

Discussed in this episode:
Finding the ‘truth’ as an actor or lying about finding it, 8 Gigabytes of Hardcore Pornography, creating a sense of safety in the rehearsal room, onstage nudity and vulnerability, We Get It, drama schools, bullying in the rehearsal room, actors learning to say ‘no’, sexual abuse within creative exploration, experiences of acting and casting as a woman of colour, the transformative body of the white actor, racial dramaturgy, Arena Theatre Company, creating work for children.

Listen to the episode:

You can subscribe to Audio Stage in iTunes or Player FM, or listen on the official website.

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audio stage, s.2, ep. 3: roslyn oades

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In the third episode of our season on responsibility in art, we talked to Roslyn Oades, director, actor and a pioneer in the field of headphone verbatim theatre. We talked about responsibility in the field of verbatim theatre: what it means to represent someone else’s story, building a right of reply into your work, ethical eavesdropping and how the response and willingness of the individual participant does not necessarily reflect the response of the community they are a part of.

“I am very interested in the question of who’s allowed to say what in Australia.”

-Roslyn Oades

Discussed in this episode: 
The manipulative power of the voice, whose allowed to say what in Australian society, the actor’s body as a piece of documentary, authenticity and the illusion of authenticity, verbatim theatre and the responsibility an artist has to their participants, Brecht and alienation, Ugly Mugs and the reaction of the sex worker community, community engagement.

Listen to the episode:

You can subscribe to Audio Stage in iTunes or Player FM, or listen on the official website.

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